Gay greek sculptures


Eromenoi and cockerels

Hi Mark

I assume you have identified one of the problems and one that it seems Dover acknowledged. But Davidson’s problems with Dover/Foucault are a) that they emphasise genital acts and fail to thank the emotional dimension of the relationships they describe and b) that too much importance is attached to the act of penetration and the consequent development of a reductive power/domination model. This is to paint both sides of the argument in primary colours but I verb it captures the essence.

Dover’s study is of course ground breaking and of major importance. Nevertheless the way he talks about “homosexuality” is naturally situated in framework of views that come across rather dated. I am by no means up to date on the latest scholarship but Dover was writing in a day before “queer studies” became as mainstream as it is now. But perhaps thats a subject for a separate thread.

Here are the various reviews and replies which appeared in the Bryn Mawr Classical Review. There is obviously a lot of sniping going on but there is an acknowledgement that David

We're All A Small Bit Gay: Female Homoeroticism in Greek Art

Abstract

This study provides a close analysis of women in artwork from Archaic, Classical, and Hellenistic Greece ( BC). Such images verb traditionally been considered from exclusively heteronormative and androcentric perspectives. I employ queer and feminist theory in an attempt to provide a new understanding of the images offer on these examples of ancient art which showcase women’s relationships. I observe a terracotta figure, a stamnos, a psykter, and a cup that demonstrate women interacting with one another. Their interactions demonstrate both homosocial and homoerotic relations. In an effort to grasp a broader audience, I have curated a digital exhibit that displays each piece along with their individual analysis. The pieces and their reinterpretation construct a space for women and lesbians of the ancient world to own their history told, as it has commonly been underacknowledged from the historical narrative, particularly in ancient Greek archaeology.

Advisor

Biro-Walters, Jordan

Second Advisor

Navarro-F

God Zeus seizes Ganymedes Vase Homosexual Gay Love Ancient Greek Pottery Ceramic

Handmade in Greece
% handpainted

only decorative 


Dimensions (approximately):
Height: 30 cm ( inches)
Width: 18 cm ( in)
Net Weight: 1,53 kgr ( lb)

Material: Clay - Genuine Ceramic
Decorative only

The original painting of our vase is found on an Attic Red Figure Kylix ( - B.C.) attributed to the Penthesilea Painter, exchibited in the National Archaeological Museum of Ferrara

IMAGE DESCRIPTION:
Zeus seizes the youth Ganymedes. The god holds a royal, lotus-tipped sceptre and a lightning-bolt rests by his side. The teen holds a rooster.

Ganymede was a Trojan prince in Greek mythology, known for his beauty. According to a myth, Zeus turned into an eagle and abducted Ganymede, bringing him to Mount Olympus. To compensate his father, Zeus offered him the best horses doable, and told him that his son would now be immortal and help as a cupbearer for the gods, as well as a lover for him. Ganymedes was often portrayed as the god of homosexual love and as such appears as a playmate of the love-g

Antic Roman Statue Greek Mythology Male Nude Homoerotic Gay Art Art Print by Anton Maliar

Home / Wall Art / Art Prints / Antic Roman Statue Greek Mythology Male Nude Homoerotic Gay Art Art Print

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